Brushline covers the intersection of visual art, creative practice, and artificial intelligence, examining how these technologies reshape artistic production, criticism, and cultural value. Our editorial process is built around accuracy, context, and a commitment to representing multiple viewpoints within the art world and the technology sector.
Our writers draw on academic journals in art history and digital humanities, museum and gallery publications, direct interviews with artists, curators, and AI researchers, technical documentation from software developers, and market reports from established art market analysts. When discussing specific AI tools or models, we reference primary documentation or statements from the developers alongside independent commentary from practicing artists and critics.
Every article passes through at least one round of editorial review before publication, checking factual claims, quoted material, and the framing of technical or artistic arguments. Pieces that touch on legal matters such as copyright or on emerging AI capabilities receive additional scrutiny to confirm that claims are supported by cited sources rather than speculation presented as fact.
When an error is identified after publication, we correct the text promptly and add a visible note at the bottom of the article describing what was changed and when. Significant factual errors that affect the central argument of a piece are corrected with the same visibility as the original claim, and readers can report suspected errors through our contact page.
Brushline may accept sponsorships or advertising from galleries, software companies, educational programs, or publishers, but sponsors have no influence over editorial content, story selection, or critical conclusions. Any paid placement or sponsored article is clearly marked as such, and our writers and editors retain full independence when assessing the artistic or technical merit of the subjects they cover.
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